48 Hours to Build a Brand
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Time to read: 6 min
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Time to read: 6 min
Forty-eight hours.
A $500 budget.
Start a leather goods brand from absolute zero.
On paper, it sounded doable.
I’ve done this before—more than once, actually. But the last time I truly started from nothing was over ten years ago, and back then, there was no ticking clock. No hard deadline. No pressure to finish everything in two days.
This time was different.
I was in a completely different country. I had no leather, no tools, no workshop, no designs, and not even an idea for a brand name. Just a challenge and a question that wouldn’t leave me alone:
Can you still build something real in just 48 hours?
In this blog, we will answer the following questions:
Is it actually possible to build a real, sellable leather brand from scratch in just 48 hours with a $500 budget?
What breaks first when you remove time, money, tools, and comfort from the creative process?
What can failure teach us about craftsmanship, experimentation, and why creating still matters in a hyper-polished brand world?
I’m Tanner Leatherstein. I analyze luxury leather goods for a living. I cut them open, question their materials, and talk openly about quality, cost, and craftsmanship.
But somewhere along the way, I realized something uncomfortable.
I had been analyzing creation for years—but I hadn’t truly created something from scratch in a long time.
So when I was in Taiwan during the summer, an idea hit me hard. What if I challenged myself to build an entire leather brand in just two days? Not just a product, but a real brand: name, logo, website, products, listings—everything.
And to make it real, I set strict rules.
This wasn’t meant to be symbolic. It had to be practical.
48 hours total
$500 maximum budget
At least three different products
A fully functioning website with live listings
Ready to sell to real customers
Everything filmed in real time
If I pulled it off, the brand would launch.
If I failed… well, I’d deal with that later.
Let me take you back to August 2025 in Taipei.
I woke up with a loose plan: start with market research. Visit small local leather shops. See what they sell, what price points work, what’s popular in Taiwan. Then design products based on what I could realistically make with the materials I’d find.
It sounded logical.
It also completely fell apart.
I mapped out multiple shops, hopped on a scooter, and quickly realized I hadn’t paid attention to opening hours. One shop was closed. Then another. Then another. Forty-five minutes later, I had nothing but scooter stress and rising panic.
At that point, I had to improvise.
Instead of wasting more time, I pivoted. I decided to skip market research and go straight to sourcing materials. Whatever leather and tools I could find within budget would dictate the products.
A nearby leather supplier turned out to be a dream. The smell alone told me I was in the right place. Italian veg-tan, Badalassi Carlo, nubucks, buckles—everything I needed in one location.
This store was Disneyland for leathercraft.
I took my time, carefully calculating how much I could stretch each hide, how many belts I could make, and whether the investment would make sense long-term. When the total came up, I had gone over budget—about $570 instead of $500—but I had everything I needed to actually produce.
At that point, there was no turning back.
By mid-afternoon, I was back home—my in-laws’ place, which quickly became the temporary atelier for what would soon be called Hatch 48.
After a much-needed shower, I set up a crafting corner and laid out all the materials. Given the leather types I’d bought, belts made the most sense, along with small leather goods if time allowed.
I started prep work immediately: dyeing vachetta, laminating panels, testing finishes. Even here, the leather taught its own lessons. The same black dye reacted completely differently on two vachettas—one turning deep black, the other a silvery gray.
This is exactly why leather treatment isn’t universal. You never truly know how a leather will react unless you test it.
By the end of day one, I had belt blanks cut and prepped. It wasn’t finished, but it was a solid head start.
Day two started early with a hard decision: what three products could I realistically finish?
I chose:
A belt design with multiple widths and leather options
A card wallet
A field notes journal cover
I created digital patterns and immediately ran into another problem.
No printer.
Buying one would push me further over budget, so once again, 7-Eleven came to the rescue. Except the prints came out at the wrong scale. That mistake cost me over an hour and forced me to redraw patterns by hand.
Time was slipping fast.
Without a sewing machine, I saddle-stitched the belts by hand. It’s something I respect deeply—but not something I enjoy doing at production scale. It was slow. Painfully slow.
At that moment, I knew the truth.
There was no way I was finishing three products.
I focused everything on the belts.
With minutes to spare, I photographed the belts on my phone and built the website. The photos weren’t great. The site was basic. Some pages were clearly placeholders.
But it worked.
The listings were live. Inventory could be added. Orders could technically come in.
And yet, by my own rules, I had failed.
By the Numbers: A Clear Failure
Only one product, not three
$70 over budget
A website that looked like a rushed school project
This challenge, by definition, was a failure.
But here’s the part that surprised me.
That feeling—the uncertainty, the messiness, the learning by doing—it felt exactly like starting Pegai ten years ago.
Somewhere along the way, I had gotten comfortable. Busy. Efficient. But I had stopped experimenting.
This failure reminded me why I started in the first place.
I don’t need another brand to manage. I already have Pegai. I already have Stow. What I was missing was a space to experiment openly.
Hatch 48 isn’t going to be another brand fighting for attention in a crowded market.
It’s going to be my public R&D lab.
A place where I test ideas—some expensive, some cheap, some weird. I show the costs. I show the process. I make limited batches.
If people want it, we move forward.
If they don’t, we learn and move on.
It’s the opposite of how luxury brands operate. No secrecy. No inflated stories. Just real creation in real time.
The first Hatch 48 experiment launches in a few weeks.
It’s not a belt.
It’s not even a typical leather product.
It’s something I made for myself—something I needed—and I want to see if it resonates with anyone else.
Every few weeks, as time allows, there will be a new experiment. Some will succeed. Some will fail. Some might graduate into Pegai.
All of them will be honest.
By my own rules?
Absolutely.
But I gained something far more valuable.
I remembered what it feels like to create without a safety net. To share the messy middle. To build without knowing if it will work.
That’s what Hatch 48 is about.
And honestly?
I can’t wait to see where it goes.
If you want to be part of it, sign up at hatch48.com and help decide what’s worth making.
As always— stay leathertained.
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Unfortunately, not at this time.
Yes, Tanner is open for media interviews! If you'd like to collaborate on a feature or interview him, please email him directly at tanner@pegai.com.
Whether it's about leather crafting, brand reviews, or the business side of PEGAI, Tanner is happy to share his insights and expertise.